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I, nagas, sea, sea, mountain, snow, trees, people, markets, badeas, bananas, papayas, ceibas - so strange that premise Ciro Guerra achieved something very, very unsettling (" how to translate unsettling?), very sad and extremely happy at the same time. Very radical.

The film is a healthy slap. It shows in the face without washers type "Colombia is passion" without voice-over, without any of that, what we're missing. It shows us faces and more faces, faces black, mulatto, mestizo, Indian peasants, Indians of the Sierra Nevada, faces coastal, beautiful faces withered by the wind and the sun, faces harsh. We sample nur landscapes (still) empty - empty perhaps underdevelopment, conflict, but ultimately refreshingly empty.

said Maria Clara Mompós market as shown in
Travel
wind could be the market of any Italian city on some version of Zeffirelli operatic. Yes Yes and no. Not necessarily. It is true that it is absurdly clean everything in the film. It is also true that Italy is far from being a clean country, and yet were able to invent ideal operator for centuries - Film & am increase
If I had not made road trips to Colombia, I could not understand the scenarios of wind trips. Spend an amazing sight even more absurdly beautiful sight - knowing what goes on back there - and left a stunned with what he sees. But we went just like when we went in January to Armero, Mariquita, Honda, and down through the valley of the Magdalena to the Colombian Massif, where the mountains seem so dense that one finally believes the theory of tectonic plates techniques, where each view seems more absurdly beautiful than the last (and where to sleep in Rivera, Huila you wake up to learn that coor irrelevant) between these two movies! Two people walking and walking, with communication problems brutal, without dialogue, surrounded by a world extremely hostile to the bottom (despite the absurd beauty of the Atlantic coast of Colombia). Some friends have been classified (negative) wind

travel like a movie of "magical realism." I do not know at this point if "magical realism" still means something, especially when used pejoratively. It is simply a story of two people walking on foot and donkey in the world - a story that has been told a thousand times but still surprisingamp; aacute; s brutal, without having to show

lot of blood, dead. Wind travel is perhaps one of the most violent films - violence as the beauty is not mediated, radical - there is to see.